River Campus Libraries Digital Collections (2024)

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SIBLEY
MUSICAL
LIBRARY
PRESENTED BY
the. class of 1929

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LOUISE E. C U yLER
E d ito r

RAY H A SEN A U ER
Business M an ager

THE SCORE
P U B L I S H E D A N N U A L L Y BY T H E
S E N IO R C L A S S O F TH E EASTM AN S C H O O L O F M USIC

P rologue
A weaver sat upon the sand,
Spinning a web with practiced hand;
The woof on her loom gleamed bright in the sun,
And she laughed as she saw the beauty she’d spun.
“I am Youth,” cried she.
Then I snatched a thread from her wheel as it flew
And wove in these pages its gold and its blue,
’Til each glistening leaf seemed a fabric of dreams.
N ow on each page her laugh you’ll hear,
H er dancing feet and all that’s dear
Of Kastman Days.
Go now, my book,
Thy mission fill.

To the memory of all those who
have know n suffering a n d w ant th at
music might live through the ages7 an d
to the ideal of heauty for which they
strove7 the Senior Cdlass of nineteen«
hundred tw enty«nine reverently dedi«
cates its hook.

“He who ascends to mountain tops shall find
The loftiest peaks most wrapped in clouds and snow
Round him are icy rocks and loudly blow
Contending tempests on his naked head,
And thus reward the toils that to those summits led.”
—LORD BYRON
This unique photogranh of Schubert, sup-^
phed by courtesy of The Columbia Phono
graph Company, the sponsors and orgamzers of the Schubert Centennial, was
adopted as the official Centennial photo
graph in _the_ 2315 cities in America par
ticipating in Schubert Week.
^

President University
of Rochester

9-14

I—School and Campus Views

15-24 II— Faculty
25-67 III— Classes
69-76 IV—Musical Activities
77-90 V — Organizations
91-96 VI— Dancing and Athletics
97-106 VII— Dormitory Section
107-115 VIII— Humor
117-138 IX—Ads

Eastman School of Music
Memorial A rt Qallery
Sibley Library
Catharine Strong Hall
Women’s Dormitory
Men’s Dormitory

EASTMAN SCHOOL OF MUSIC

“A thousand suns shall stream on thee,
A thousand moons shall quiver;
But not by thee my steps shall be
For ever and for ever.”
—T

ennyso n

MEMORIAL ART GALLERY

Eleven

‘And round the cool green courts there ran a row of cloisters
branch'd like mighty woods ”
— T

ennyso n

T hirteen

Fourteen

limi ui Hti ti i i iii iu 4i i i n i i i w i i i i i m i i t m i i n n i i m ii iii u n ii

W illiam A mes

G ustav F. Soderlund

R uth N orthup

T h eo ry and
Composition
G eorge B arlow P enny

H erbert I nch

A f A
Vi/W

T heodore F itch

I rvine M cH ose
Sixteen

E dward R oyce

D onald N. T weedy

M elville Smith

M arie; E rhart;

F lorence A lexander

... ,

ff||

M abel C ooper

J eanette C. F uller

L yndon C roxford

C ecile Staub G enhart

J erome D iamond

Seventeen

Eighteen

F annie H elner

D onald L iddell

G ertrude K eenan

K athryn M akin

E rnestine K linzing

M arjorie T . M acK own

M ax L andow

G eorge M acN abb

■ WÊmm.

J ane B. M umford

Vs^V^ey

£ /5 A 3
S Y ÎV 3

L aila S kinner

mmi

Piano
¿a s A 3
£V 5V 3
'*(i^W
a e'

A shley P ettis

Sandor V as

E dgar R ose

H arry W atts

D orothy G. Scott

E lvera W onderlich

R aymond W ilson
Nineteen

T. A ustin -B all

A delin F ermín

V oice

R ichard T. H alliley

Voice

F rederick B enson

J eanne W oolford

Voice

L ucy L ee C all

R obert B erentsen

Voice

W arren G ehrken
Organ

Twenty

Motion Picture Organ

H arold G leason
Organ

A bel M. D ecaux
Organ

H arold O. Smith

Motion Picture Organ

Samuel B elov
Violin and Viola

£ /Ï V î

çvsy?

E ffie K nauss
Violin

Strings
C A ÍA S
A Æ /3
L ucile J ohnson B igelow

G erald K unz

Harp

Violin

G eorge F inckel

M arion E. Sauer

Cello

P aul K efer
Cello

Violin

G ustave T inlot
Violin

L udwig Schenck
Violin

Twenty-one

i
M árjórie B arnett

English Country Dancing

K arl van H oesen
Public School Music

Public School
Music
Languages
S herman Ç lute
Public School■Music

Psychology
Library
Physical
Education

T heodora C ummins
French

H azel M. Stanton

Psychologist in Music -

T wenty-two

M arian Stevens

Physical Education

N elson W atson

R ufus A rey
5 Clarinet -

E dward K. M ellon
Trumpet

A rkade Y egudkin

Bass

Horn

P aul Schmidt
T uba

O rchestral p|§
Instrum ents rYTi
W endell H oss

rrrH

«n*,

■

111EHI
1111
vy

Horn

p
¡gg¡¡

i rti

yu
m
m

L eonardo de Lorenzo
Flute

A rthur F oreman
Oboe

W illiam Street
Percussion

G eorge W aterhouse
Tympani .

J acob N abokin
Bassoon

E mory R emington
T rombone

Twenty-three

T wenty-five

¡ U lu lili 11

SENIORS
V ester J a y is t u t a Jream 7
T o-m orrow a vision too;
T o*=Jay7 well lived,

M a Ices yesterday
A

d ream of joy

T h at lives for aye7
T o ^ m o rro W /

/ \ to p e for you
=Sanskrit

Twenty-six

E lsie M a ria n A gor
M a h o p a c F a l l s , N.Y.
Lake Mahopac High School
Drew Seminary

Mus. B.
A rt E ditor “Score”—4

u b l ic

School

H iking “E ”— 1

M ary E lnora A llen
T r u m a n s b u r g , N.Y.
Trumansburg High School

Mus.
D

elta

u b l ic

School

m ic r o n

H ouse P resident—4

T wenty -seven

Sarah M aud M ary B ayford
17 C h e s t n u t A v e n u e , D a n s v i l l e , N.Y.
Jarrow-on-Tyne, England
Jarrow Secondary School
C

D onald L. B olger
M

a r t in s b u r g

, P

Martinsburg High School
Morrison s Cove High School

Mus. B.

P ia n o P

P artial Scholarship— 3, 4

Twenty-eight

erfo rm er

K ritix C lub— 3, 4

e r t if ic a t e .

ia n o

edagogy)

A bram R ichards B oone
23 N ormandy A v e n u e ,
R o chester , N .Y .

East High School, Rochester, N .Y .
M u s . B.
C lass T reasurer—2
F ull Scholarship—2

V io lin P erformer
P hilharmonic — 4
P artial Scholarship— 1, 3. 4

A lice S m it h B oone
23 N ormandy A v e n u e ,
R ochester , N .Y .

TVest High School, Rochester, N .Y .

Mus. B. P iano ( P edagogy)
D elta O micron
P artial Scholarship— 1, 2, 3, 4
G eorge E astman H onorary Scholarship—

Twenty-nine

K a t h a r in e B row n
J a c k so n , M

ic h ig a n

Balboa High School, Balboa, Canal Zone

Mus. B.
D

elta

Sorority C ouncil— 2, 3

C harles W ill ia m B ybee
C

olorado

S p r in g s , C

olo.

Colorado Springs High School

Mus.
P

B.
M

P ia n o
u

lph a

erform er

Sin f o n ia

T reasurer Student A sso.—2
P artial Scholarship—4
P h i M u A lpha Secretary—2

T hirty

u b l ic

School

m ic r o n

H iking “R ”— 3

J e a n n et te L ois C ass
2593 K
O

ansas

m aha

, N

venue

ebr a sk a

Omaha Central High School

Mus.

B.
D

J essica C ole
105 B e l l e v u e D

r iv e ,

o c h ester ,

N .Y .

East High School, Rochester, N .Y .
University of Rochester,

Mus. B .
Mu

V
P

o ic e
hi

erfo rm er

p s il o n

ia n o

elta

edagogy)

m ic r o n

L il l ia n A l et h a C ram er
50 C l a r k S t r e e t , C a n a n d a i g u a , N.Y.
Canandaigua Academy

Mus. B.

u b l ic

School

G ertrude M ona C rowell
53 G r a m e r c y P a r k , R o c h e s t e r , N.Y.
Livingston Park Seminary, Rochester, N .Y .

Mus. B.

u b l ic

School

T hirty-three

M argaret E llw anger C u l p
101 B irr Street , R ochester , N .Y .

Nazareth Academy, Rochester, N .Y .
C ertifica te .

M otion P ic tu r e O rgan

O rgan C lub— 1, 2, 3, 4
V ice-P resident O rgan C lub —2

L ouise E lvira C uyler
3028 L in c o ln B oulevard ,
O m a h a , N ebraska

Omaha Central High School

Mus. B. V io lin ( P edagogy)
D elta O micron
Secretary D elta O micron— 3
C lass H istorian— 1
Vice-R egent D elta O micron—4
Sorority C ouncil T reasurer— 3
“Score” Staff— 3
Sorority Council Secy.-T reas.—4
K ritix—3, 4
E ditor-in -C hief “Score”—4
B asketball “E”— 1
G eorge E astman H onorary Scholarship—2

T hirty-four

A gnes M a ria n D a n k s
526 T

h u r sto n

oad,

o c h ester ,

N.Y.

Kane High School, Kane, Pa.

Mus. B.
D

elta

u b l ic

School

m ic r o n

T reasurer D elta O micron— 3
Corresponding Secretary D elta O micron—4
Sorority C ouncil — 4

R u t h D avis
344 N.

a r f ie l d

venue

, Sc r a n to n , P a .

Central High School, Scranton, Pa.

Mus. B.
Student C ouncil— 3

u b l ic

School

O rgan C lub— 1

Thirty-five

H elen L eona D ibble
433 So.

oodm an

Street, R

o ch ester,

N .Y .

East High School, Rochester, N .Y .

Mus.

C lass Secretary— 4

V in c e n t H aro’ld E w in g
B rett R

oad,

o ch ester,

N .Y .

East High School, Rochester, N .Y .
P

Mus.

lph a

P hilharmonic— 1, 2, 3, 4
F üll. Scholarship— 1, 2, 3, 4

lute

Sin f o n ia

“Score” Staff—4
P hi M u A lpha T reas.—4

elta

u b l ic

School

m ic r o n

T reasurer D elta O micron—4
“Score” Staff—4

C arol M arie F ra n k
B

uffalo

, N

ork

Fosdick-Masten Park High School, Buffalo

Mus.

P ia n o P
P

erfo rm er

p s il o n

P artial Scholarship^-3, 4

E l iza b eth E m m a F r a n k l in
D

alton,

Pa.

Dalton High School

Mus.

o ic e

S ig m a A

lph a

erform er

I ota

T hirty-seven

A lexander G il f il l a n
P it t sb u r g h , P a .

Dormont High School, Dormant, Pa.

Mus. B. P ia n o ( P edagogy)

F rances C aro line G row
112 G en esee Street , A von , N.Y.
Avon High School, Avon, N .Y .
M us.

B. P iano ( P edagogy)
D elta O micron
B asketball “R ”— 1, 2

A lfred E. H agnauer
N

ork

it y

College in Zurich ( Switzerland )

Mus. B.

o m p o s it io n

I rm a L ois H arold
4 R ic e S q u a r e , W

o r c ester ,

a ss.

North High School, Worcester, Mass.
M u s.

B.
D

rgan

elta

erfo rm er

m ic r o n

P artial Scholarship—4
H ouse P resident—4
O rgan C lub— 1, 2, 3, 4

T hirty-nine

R u t h D orothy J ackson
T u n k h a n n o c k , P a.

Tunkhannock High School

Mus. B. P iano ( P edagogy)

G ordon J. K in n e y
601 H azelwood T errace , R ochester , N.Y.
East High School, Rochester, N .Y .

Mus. B. C ello ( P edagogy)
F ull Scholarship—2, 3

P artial Scholarship—4

M ildred R. R lossner
1536 O neida Str eet , U tic a , N .Y .

Utica Free Academy
Crane Institute of Music, Potsdam, N .Y .

Mus. B. P ublic School
P artial Scholarship—2

M elvin W ill ia m L em o n
230 N . 1st Street E ast , L ogan , U t a h

South Cache High School, Hyrum, Utah
Utah Agricultural College, B.S.

Mus. B.

O rgan

P h i K a ppa P h i
O rgan C lub— 1, 2, 3, 4

P artial Scholarship—4

L eon »Victor L enard
61

Street, H

artford,

o nn

M ilford High School, M ilford, Conn.
C

e r t if ic a t e .

io l in

edagogy)

P hilharmonic—4
P artial Scholarship—2
A ssistant B usiness M anager “Score”— 4
C lass T reasurer—4

114

E velyn M ary M c C a n n
G e n e s e e S t r e e t , H o r n e l l , N.Y.
Hornell High School

Mus. B.
Mu

rgan

P artial Scholarship— 4
B aseball “R”—2

Forty-four

erfo rm er

p s il o n

Composers C lub— 4
O rgan C lub— 1, 2, 3, 4

F rances E m il y M apes
C a n a n d a ig u a , N.Y.
Canandaigua Academy

Mus. B. P iano ( P edagogy)

H arriet E l iz a b e th M a rtin
G arrett , I ndiana

Garrett High School

Mus. B. P ublic School
D elta O micron

R u t h A sh m o re M eyer
G

lensh aw

, P

it t s b u r g h

, Pa.

Aliss Ellis' School, Pittsburgh, Pa.
Sullins College, Bristol, Va.

Mus. B.

S ig m a A

u b l ic
lpha

School
I ota

T reasurer Sigma A lpha I ota— 4
Student C ouncil—4
C lass V ice-P resident—4
Student C ouncil Vice-P resident—4
H iking “R”—3
C redential E ditor “Score”—4

R obert F rancis M oore
16 St. C l a i r S t r e e t , R o c h e s t e r , N.Y.
W est High School, Rochester, N .Y .

Mus. B.

rom bone

A dvertising M anager of “Score”— 4
F ull Scholarship— 1, 2, 3, 4
C lass P resident—4

Sta n ley de Q uettev ille M o u ra n t
6229 K im bark A v e n u e , C hicago , III.
Hyde Park High School, Chicago
University of Chicago
University of Illinois

Mus. B. C om position
C omposition Club—4

O live M . P uleston
144 M elville Street , R ochester , N.Y.
East High School, Rochester, N .Y .
N ew England Conservatory

Mus. B. P iano ( P edagogy)

E leanor D u n n in g R andall
23

School Street, B r u n sw

ic k

, M

Brunswick High School

Mus.

E l le n E l iz a b e th R a t h k e
50 F o r e s t e r S t r e e t , R o c h e s t e r , N.Y.
East High School, Rochester, N .Y .
Rochester Normal School—Diploma

Mus. B .
Mu

P
P

u b l ic

School

p s il o n

u b l ic

School

a in e

M a riu s S a n t u c c i
190 V ir g in ia A v e n u e , R o ch ester , N.Y.
Utica Academy
W est High School, Rochester
C er tific a te .

C arrie E l iz a b e th S h a w
18 G reen Street , B a t h , M a in e
Morse High School, Bath, Maine

Mus. B. P ublic School
Student C ouncil—2, 3

P iano ( P edagogy )

E leanor H in m a n S h elley
1327 W est 24 t h Street ,
O k la h o m a C ity , O k l a .

Oklahoma City Central High School

Mus. B. P ublic School
O rgan C lub—2

I ra F. S h ir k
E phràta, P a.

Ephrata High School
C er tific a te . M otion P ic tu r e O rgan
P h i M u A l p h a Sin f o n ia

M argaret S idebotham
L a peer , M ic h ig a n

Lapeer High School
Michigan State Normal College
Life Certificate in Public School Music and A rt

Mus. B.

C om position

C omposition C lub—4

E leanor B eatrice S lack
105 M a in Street , Spr in g field , V t .

Springfield High School

Mus. B. P ublic School
D elta O micron
H iking “R”—3
A lumnae Secretary D elta O micron—4

Fifty-three

l s ie

u c il l e

Sta

n d in g

25 E pw orth Street , R ochester , N .Y .

W est High School, Rochester, N .Y .
M u s. B . P ublic School
M u P h i E psilon
C lass Secretary— 3
“Score” Staff—4
C lass H istorian— 1

g n es

ea n

in d e m a n

108 C azenovia P a rk , B u ffa l o , N .Y .

M ount Mercy Academy, Buffalo, N .Y .
M u s. B .

P iano ( P edagogy)

Sigma A l p h a I ota
Student A sso. V ice-.President— 3
Student Council —4
Sorority C ouncil —4
C lass V ice-P resident—2

M arion G larisa T aylor
55 C h a p m a n Str eet , R ouses P o in t , NY.
Plattsburg High School, Plattsburg, N .Y .
C er tific a te .

M otion P ic t u r e O rgan

O rgan C lub— 1, 2, 3, 4, 5
B asketball “R”—4
H ockey N umerals— 1

E l iza b eth F airfax U t z
L a r c h m o n t , N ew Y ork

Linden Hall, L ititz, Pa.
M u s.

B. P iano ( P edagogy)

P artial Scholarship— 3

Fifty-five

lo ren ce

21 N . M

a in

e n e v ie v e

Street, P

a n

it t sf o r d ,

oorn

N .Y .

Marion High School, Marion, N .Y .
M u s . B.

ia n o

S ig m a A

h e l m a

179 H

il l ie r

r len e

venue

, A

a it e

kron,

h io

North High School, Akron, Ohio
M ü s . B.

o ic e

S ig m a A
P artial Scholarship— 4

lpha

erfo rm er

I ota

B asketball “R ”— 2
Secretary Sigma A lpha I ota— 4

lpha

edagogy)

I ota

R u t h E sth e r W alker
126 L a u relto n R oad, R o ch ester , N.Y.
Nazareth Convent, Rochester, N .Y .

Mus. B. P ia n o ( P edagogy)
D elta O m icron

G ratia B ea u m o n t W ardle
G rand M ere , P rov. Q uebec , C anada

Bishop Hopkins Hall, Burlington, Vt.

Mus. B. O rgan P erformer
C lass Secretary— 1
Student A sso. Secretary—2
D ormitory E ditor “Score”—4
P resident “K ritix”—4
Secretary-T reasurer O rgan C lub—2
K ritix— 3

M arie L ouise W h id d it
S t . P etersburg , F la .

Hutchinson Central High School, Buffalo, N .Y .

Mus. B. P iano ( P edagogy)
H iking “R”— 1

V ir g in ia L ee W h it e h e a d
345 W est 14t h Street , N orfolk , V a .

Maury High School

Müs. B. P iano ( P edagogy)
Sigm a A l p h a I ota

Fifty-eight

R a ch el S aunders W inger
30 8 H

azel

Street, W

arren,

Pa.

Warren High School

Mus. B.

P ia n o

S ig m a A

lph a

edagogy)

I ota

Student C ouncil— is 2
Student C ouncil Secy.—2
Sorority C ouncil— 3, 4
Sorority C ouncil Secy.—3
Sigma A lpha I ota Secy.—2 Sigma A lpha I ota V .-P . — 3
P hoto E ditor “Score”— 4
P artial Scholarship—4
G eorge E astman H onorary Scholarship—2
H ouse P resident—4
C lass V ice-P resident—3

“(©, arfo ts all forgot ?
JU1 scljoofoaijs' frimôslttp'-”
—Jiljakospoaro

U n d erclassm en

unii

Ju n io r Class
PERSON leaving an unobliterated footprint on the sand of time
is, as a rule, exceptionally great. Although the class of ’30 will
not make tracks as large or widespread as some of its predecessors,
yet it will leave them so deep and well founded that they will not
be quickly wiped out or easily filled.
The class realizes that the pace set by the graduates of this year is not an
easy one to follow, but with the material of which we are made we can
quite fit our shoes into their footprints, and perhaps enlarge the traces
a little.
Social activities have seemed to play*a minor role this year. Yet, the
annual formal ball, which was in the hands of Arthur Henderson, one of
us, was an amazing success. Since the beginning of the school year, each
member of the class has really tasted of hard work, and has spent every
effort to accomplish his task well. All this, we feel sure, will culminate
in a senior class ready to strive to do justice and honor to the name of
Eastman.
—Marian Herriman

Sixty-two

Class Officers
JU N IO R S
C

harles

sth er

o r is

rthur

President
Vice-President
i t c h c o c k .........................................
Secretary
H e n d e r s o n ........................................................... Treasurer
St ic k n e y

.................................

P i e r c e .........................

Members of Class
JUN IO RS 1928 - 1929
M EN

Degree
P ascal D e Surra
A rthur H enderson
Charles H ill
R obert H ufstader
C harles J acobs

Degree

A lfred K reckman
W illiam L ynch
C lifford M arshall
W illiam P inkow
T homas P ollock
G erald R ichardson

Charles Siverson
C harles Stickney
A rthur Stillman
C arlton W agner
D onald W hite

Certificate
I ra Shirk

H enry F reeman

W OM EN

Degree
V era A llen
M argery A lter
D orothy A nger
M rs. O scar Bodler
M argaret Brucker
R uth B lumstein
M arie Byars
D oris D avidson
M argaret D rury
D orothy E shelman
G enevieve F alk
H elen F ellows
I mogene F erguson
K atherine F rew

Degree
M arjorie G illette
E velyn G reene
L ucy H ale
F rances H arden
M arie H arper
A lice H endrickson
M arion H erriman
R uth H ighberger
D oris H itchco*ck
R uby H ogg
M ary H owell
W ilma I ngram
M ary J ones
F lorence K nope
F lorence K ovel

Degree
R uth L eggett
M argaret L eonard
E leanor M anning
E lizabeth M oncrief
F lorence N eedham
E dith P almer
E sther P ierce
H elen R achwalski
V irginia R enter
H azel T urner
M adge T aylor
F lorence V ickland
H elen W atson
E lizabeth W ood

Sixty-three

Sophom*ores
E are the victims of that much taunted disease “Sophom*orites.” We incur the naughty-naughts of those intellectual
giants, the Freshmen, and we incur the wrath of those mu
sical Babbitts, the Juniors. We invite the anger of Student
Councils, Housemothers, Building Superintendents, and the
Prime Minister of the Practice Rooms.
It might have taken the whole Student Association to stage the Formal,
but it took only us Sophom*ores to make it famous. We make corridor
benches something to sit on, not to look at, and we crowded the Roches
ter Gas and Electric employees out of the Sagamore Grill. We have
annexed Mercury’s by right of eminent domain. We hold a bloc of seats
at John Gilbert’s Barber Shoppe, and next year we expect to take over the
Rochester Club and Mally’s. Plans are under way for a ’31 vaudeville
circuit, which is to lease Kilbourn Hall for the next two years and sup
plant the student recitals. The Sophom*ore party was a revelation. Flow
ers were strewn about the floor by the Lads ’a Bunkum, and purple tint
ed squash vines were hung on the walls in the form of Gainsborough
swords. The evening was brought to a riotous finish by the daring dance
of three veiled night watchmen.
All this may sound like vain clamor, but if we are victims of the afore
mentioned disease, then this is our defense mechanism. If we are blatant,
let there be no mistakeJHpFF, Senza Sordino, Sic Semper Tyrannes.
From our most agile fiddle to our seediest opheleide player, let us raise
our brazen voices (or any convenient implement)—“Ho yo to H o”
(Swedish for “Here’s Ham”).
^
I
r
'
Dorothy Larson
Sixty-four

Class Officers
SO PH O M O RES

Janet
L

eah

D
L

ean

.................................

Secretary

.......................................................

e v in e

S q u ir e H

President
Vice-President

...............

P arks J elley

a s k in

............................... . . . . . . . ............ ..

Treasurer

Members of Class
SOPhom*oRES 1928 - 1929
MEN

Degree

R obert M cG lashan
Stanley M ourant
A llen R ogers
Stanley R udnicki
P aul Sargent
H erbert Searles
R obert Stone
T heodore Vosburg
P rescott W hitney

Squire H askin
F ranklin I nglis
P arks J elley
H arry K aufman
P hilip K aufman
K ing K ellogg
H oward K ubic
P hil M artin
J ames M cB ride

T heodore A pplebaum
R oland B radley
W illiam C upp
A nthony D onato
A rmât D uhart
G eorge F oster
H arry F riedman
T urney G ibson
Samuel G oldman

Certificate
T heron F orbes
C harles N icholis

P aul P hillips
P aul Sauerwine

W OM EN

Degree

Degree
R oberta A ndrews
E dith A rundel
Lorena A ustin
L ucille B arnum
B eulah Bombard
R osemarie B rancato
L ois B ruce
J ean C hristian
I va Cotton
J anet D ean
C harlotte D isque
T helma D udley
F lorentine D ylewski
H elen E berle
M aeda E lmer
P auline F owler
Victoria F ranzen
G ladys G oade

O live G ould
D orothy H amel
M arion H arman
M arion H awthorne
I sabelle H athaway
C harlotte H orn
D orothy H unt
H arriet J ohnson
I sabelle J ohnson
L orene J ohnson
H elen K irlakowsky
P hyllis K nickerbocker
D orothy L arson
L eah L evine
I ris Lowe
V irginia M ajewski
F ern M atteson
P hyllis M cK im

Degree
M arjorie M oscrip
H elen M unger
H arriet R itchie
I rene R ussow
L ila Scarborough
L illian Schiff
F rances Shepherd
J anet Sims
G ladys Stalker
M ildred Stanley
V irginia Straube
J osephine Szinkunas
R osamund T anner
M argaret T hompson
M argaret T olson
E thel T urner
L ucille Y oung

Certificate
G ladys B rown

E lizabeth F rey

K atherine I rvine

Freshmen
F E W s h o rt m o n th s b e fo re w e h a d been S en io rs. “ S e n io rs” , th e w o r d w a s a n a w e
som e m o u th fu l. W e h a d been g a z e d u p o n w ith a w e a n d re v e re n c e by e v ery u n d e r
c la s s m a n ; fo r w e re w e n o t th e e m b o d im e n t of le a rn in g a n d w o rld lin e s s ? B u t a ll
th is is c h a n g e d ; n o m o re a re w e h ig h -h e a d e d , s a tu r a te d so lu tio n s o f e ru d itio n . L o w ly
n eo p h y te s w e h a v e n o w becom e. O u r c o m m e n c e m en t sp e a k e r m a y h a v e ca lle d o u r
h ig h school d ip lo m a th e k ey to th e w o r l d ; b u t w e a re b e g in n in g to th in k t h a t it is o n ly th e
k ey to th e m ilk b o x o f le a rn in g — a n d it w ill be a lo n g tim e b e fo re w e g e t th e keys to th e
re st o f th e h ouse.
I th in k a F re s h m a n ta k e s a b it o f d e lig h t in b e in g p a d d le d . A n y w a y , th e u p p e rc la ssm en gave
us p le n ty o f ch a n c e to be d e lig h te d in th e first tw o w eek s o f school. F re s h m a n W e e k w as
h e ld th e second w e e k of school, a n d a lo v e ly tim e w a s h a d by a ll, esp ecially th e F ro s h . I n
th e w o rd s o f one f u tu r e S o w erb y , w e h a d a “ sp a n k in g goo d tim e .” W e w e re m a d e to w e a r
g re e n rib b o n s w ith c a rd s, b e a rin g o u r n am es a n d g e n e ra l p e d ig re e . W e w e re in co n v en ien ced
in s u n d ry o th e r w a y s t h a t w o u ld te n d to in s till th e p ro p e r h u m ility in us. D u r in g th a t
w e e k th e S o p h o m o res a tte m p te d to ra id th e F re s h m a n D o r m — n o te t h a t w e said “ a tte m p te d
t o .” T h e b a ttle w a s q u ite blo o d y , if a m ix tu re o f o v e rrip e v e g e ta b le s a n d w a te r on o n e ’s
p e rso n c o u ld be c a lle d b lo o d . T h e S o p h o m o res c la im e d th a t th e y w o n ; b u t a n y d isc e rn in g
p erso n , re a liz in g th e so u rce o f th e claim , w ill im m e d ia te ly h a n d th e la u re ls to th e F ro s h .
D u r in g t h a t w e e k th e re w e re n u m e ro u s p e rso n a l a n d h o u s e w a rm in g p a rtie s a t th e G ir ls ’
D o rm , b u t o w in g to c e rta in reaso n s, th e w r i t e r w a s n o t a b le to be p re se n t a n d re c o rd th e m .
W e m a n a g e d to su rv iv e o u r c o rd ia l w elco m e, a n d it w a s n o t lo n g b e fo re w e b e g an to in
te r p r e t a c e rta in p ra c tic e ro o m ru le as to th e p resen ce o f m o re th a n o n e p e rso n in a ro o m a t a
tim e in o w n o w n w a y . O n e m u s t g e t a c q u a in te d so m eh o w .
T h e J u n io r D a n c e , to w h ic h a ll th e F re sh m e n w e re in v ite d , a n d th e F re s h m a n H ik e w e re
d e fin ite e ffo rts to g e t a c q u a in te d . Soon w e w e re c o m p le te in itia te s ; w e k n e w w h ic h classes
to sleep in, a n d w e b e g a n to d ev elo p a h ig h ly e m o tio n a l b a c k g ro u n d — if M a j o r a n d M in o r
feelin g s c an be c a lle d th a t. A lo n g in S p rin g th e Freshman Hop w a s sta g e d , a n d p erh ap s,
o w in g to th e tr a d itio n a l n aiv en ess o f th e Y e a rlin g s, it w a s a jo y o u s success.
T h e c a re e r o f th e class w ill p ro b a b ly resem b le a classical sy m p h o n y in a t le a st one respect.
I n m a n y cases th e m o v e m e n ts w ill h a v e to be re p e a te d in o rd e r to m a k e a la s tin g im
pressio n .

—oam Kichlin

Sixty-six

Class Officers
FRESH M EN
J
V

ean

u s ic k

ernon

President
. . . Vice-President
Secretary-Historian
................ Treasurer

, . .............

anner

R u t h Spears . . .
Sa m R ic h l in . . .

M e m b e r s of Class
FR ESH M EN 1928 - 1929
MEN'
F rank B aker
C arl B laas
G eorge B utte
K enneth C aie
Stuart C owin
G ilbert D arisse

Degree

A lex. R eisman
H erman Scholl
J oseph Smith
V ernon T anner
R alph Y oung
C larence Sauer

Louis M eltzer

Sidney E astman
N athan E manuel
T homas G orton
J ohn G ross
L uther H awkins
J ohn L ynes

M itchell M iller
J ean M usick
J ack P epper
E verett P errin
V irgil P erson

Sub-Freshmen
W illiam J ennings
J erome Smith

K enneth F rench
C layton I nglis

Certificate
A nthony Suozzi
K enneth Z immerli

Sam R ichlin
M ackenzie Smith
C harles Starke

J ohn A ndrews
J ulian M cCreary

Sub-Freshmen
H arold V an Slyke

W OM EN

Degree

B etty A dams
E lizabeth A dkins
E lizabeth A nderson
C atherine Barrier
L aura Barrier
E leanor B enfield
D oris B laisdell
Suzanne B ohne
E lizabeth B osshart
A nna B rennan
M arion C ampbell
C atherine C arnes
C atherine C arter
F rances C asselberry
E leanor C hadwick
D orothy C ooney
J ane C owell

R uth D elaP lante
F rances D unlap
H elen D unshee
M abel D urkin
H azel E lsom
B eulah E ngert
D orothy E veretts
E lizabeth F enn
M adeline F oster
L illian F riedman
H elen H astings
B lanche H yatt
R uth J effery
M argaret J oens
M asche K otzin
R uth L awrence
N ellie L ucia

H ermine L uebbert
M argorie M addicks
P hyllis M arble
A rline M cK ague
C arolyn M cK ee
D orothy M iller
E lizabeth N orton
E leanor P heteplace
N orma P rice
C larabell Q uick
H arriet R ead
D orothy R eed
L ucy R eeser
G race R enaud
D oris R ogerson
P hyllis Sablowsky
T helma Savage

Degree
G loria Sever
E lizabeth Shearer
M artha Smith
D olores Snell
R uth Spear
J osephine Sproesser
C ora Stackhouse
D orothy Sutton
F lorence W arshowsky
W ilma W ells
M ary W illiams
G enevieve W ilson
C harlotte W ithrow
E lizabeth Y ampolski
R uth Z immer
C atherine U rlass

Certificate
B uena D ougherty
R osaio H agedorn

D orothy L eisle
R uth P elton

Sub-Freshmen
F rances A shwell
L eona B ishop
M arion Broadfoot

Iva C rane
P atricia D elapenha
J ulia D ennis
M argaret L ewert

D orothy Sanders
J eane L ouise S mith
G race M urray

make wnòjjmg mustc m
il}t faorÌò”
— George Eliot

ROCHESTER P H IL H A R M O N IC ORCHESTRA, F O U N D E D 1923
“ ’Til every string’s according glee
Was blended into harmony.”
— S ir W

alter

Scott

Eugene Qoossens, Conductor

K ilb o u rn Q u a rte t
G

u sta v

in l o t

. .First Violin

erald

u n z

Second Violin

Sa
P

m u e l

a u l

elov

. . . . . . . Viola

. . . . . . . Cello

efer

“Untwisting all the chains that tie
The hidden soul of harmony.”
— M

il t o n

Seventy-one

EASTM A N ST U D E N T ORCHESTRA
The Senior orchestra of the Eastman School is composed of all the advanced students of
orchestral instruments. Samuel Belov is conductor of the organization, and several con
certs are given each season, when representative works from classical and modern or
chestral literature are performed.

EASTM A N SCHOOL CHORUS
The Senior chorus of the Eastman School is under the direction of Dr. Howard Hanson
and Herman Genhart, and occupies itself with the study of serious choral works. During
the present season Leo Sowerby’s “Vision of Sir Launfal” and Malapieri’s “La Ana” were
given their first performances by the chorus, together with the student orchestra.

Op era D e p a r t m e n t
M EN
H arold C row ell
A rth ur F arney
D a v id H o w e l l
H ug h Jack
J am es H . J ack
R obert K elley
C l a ir K r a m e r
G eorge M c C a u l e y
G

eorge

eggs

L eroy M orlock
Sy v e r T h in g s t e d
B

ruce

r ig h t

W OM EN
K a t h e r in e B a t c h el d e r
M a r y E l iz a b e t h B r o w n
P

earl

h esh o lm

M
M

argaret
r s.

l a in e

Sa n t in a L

odd

o ffm an

eone

L o u is e L e o n a r d
M r s. E st e ll e M eek er
M a r c ie l S c h w a r t z
J e a n S m it h
M i l o u V o it ie r
G race N ow ack

V-

Graduate
C

Department

/ T

h e G RADUATE D E P A R T M E N T of the Eastman School ineludes those students working for master’s degrees in theory or
musicology, as well as students taking post-graduate work in applied
music. At the present time there are in the department seven candidates
for the degree Master of Music, of whom four will receive their degrees
in June, 1929. ,
PO ST GRADUATES

Women
F lorence B radley
E ileen M alone
M ary Louise M erritt

E laine Sauvage
A delaide Stehle

G race T owsley
M argaret Sisson
Sarah W etmore

Men
J oseph Schiff
M A S T E R ’S D E G R E E

Women
C atherine Bodler

G ertrude Brown

A lice P ayne

Men
H arry F ield

I rvine M cH ose

I rvine M acA rthur

N ewton P ashley

Seventy-five

Th e U n iv ersity of R o ch ester M usical Clubs
THE
T

heodore

W il l ia m T u r
G regg S m it h

G LEE CLUB

Conductor
n e y ...................................................................... Assistant Conductor
.......................................................... ..
V. . . . . . . Manager

F it c h

THE

. ................................ ...

Sa m
C

uel

harles

Ra y ' H

EASTM AN
e l o v

SC H O O L L IT T L E

SYM PHONY

........................................................................... ..........................

S iv e r s o n
a senauer

Conductor

......................' ........................................ . . Assistant Conductor
...................................................................... ............................. Manager

The Glee Club and Little Symphony had a very successful concert tour this Spring,
giving concerts in Toledo, Chicago, Detroit and Buffalo. The addition of the Little Sym
phony to the Musical Clubs of the University has met with a very decided approval, not only
in Rochester, but in every city in which the clubs appeared this season. The home concert,
which was given in Kilbourn Hall, was a fitting climax for the unusual attainments of the
clubs this year.

TmrTmrmTTm.TTinTTTTnniirm iiir

?ti l rm; rumi au m n rrnrrm irrimTi n 11m n i n

O rg a n iz a tio n

Serenade
---------- j .

PIANO

p p

j . —

fT r - *

Thro’the night,
Lei - se f i e T h ro ’

the le a v e s

my songs en-treat - ing

Gen-

-hen

mei - ne Lie - der'

durch

n ig h t w in d s in ov

M ur

th e

i..

tÙ

in g ,

sa i a.

- tly plead with thee;
die Niicht zu

m u r lo w

hj 1n i i ^r?1i b>nì érfél i A 1

an d

dir;
Sw eet;

Seventy-seven

S tu d e n t A ssociation
- Y r ^ H E ST U D E N T ASSOCIATION is composed of all regular
course students of the Eastman School. Monthly meetings are
held, at which times entertainment and music for dancing are provided.
The chief duty of the organization is the managing of the annual East
man formal dance, which is held in the corridors of the school, and is the
chief social function of the year.
O F F IC E R S
A r t h u r H e n d e r s o n ................................
C h a r l e s S t i c k n e y ..........................................................
P a r k s J e l l e y ...................................................................
A n t h o n y D o n a t o ................. ................

President
Vice-President
Secretary
Treasurer

D o rm ito ry C ouncil
f rs H E DORM ITORY ST U D E N T G O V E R N M E N T COUNCIL was organized in 1925 for the purpose of encouraging the
highest standards of personal conduct among the residents of the dormi
tory and imposing such penalties as might seem necessary for any in
fringements of house rules. The president is chosen each spring from
those of the incoming senior class who are members of the Council, the
new members from each class being chosen the following fall. Any
dormitory social functions also come under the direction of the Council,
and a number of successful dances are, as a rule, given each year.
O F F IC E R S
G
R
V

M e t c a l f . . . . ........................................... .............. President
u t h M e y e r .................. .................... ............................ Vice-President
i r g i n i a R e n t e r . . . . ........................................................... Secretary
ladys

M EM BERS

Seniors

Juniors

G ladys M etcalf
R u t h M eyer
J e a n Sw in d e m a n

M ary J ones
E s t h e r P ie r c e
V ir g in ia R e n t e r

Sophom*ores
H
M

elen

reene

argaret

o lso n

Freshmen
F r a n c e s C a sse l b er r y
M a r y V ir g in ia W il l ia m s

H O U S E P R E S ID E N T S
M ary A llen
R achel W in
Irm a H

arold

..............................................................Stephen Foster
g e r ............................................ Francis Hopkinson
... ..................................... .. ..

Hall
Hall
Edward M acDowell H all

Seventy-nine

Sigma A lp h a Io ta
IG M A A L P H A IOTA, International Professional Musical Fra
ternity, was founded on June 12, 1903, at the University of Michigan,
Ann Arbor. It was organized by a group of seven students, who be
lieved that the united efforts toward the promotion of the highest
musical standards and kindly feeling among musicians would be more
effective than their individual work.
The objects of this fraternity shall.be: To form bodies of representative
women who shall, by their influence and their musical interest, uphold
the highest ideals of a musical education; to raise the standards of pro
ductive musical work among the women students of colleges, conserva
tories and universities; to further the development of a stronger bond
of musical interest and understanding between foreign countries and
America; to give moral and material aid to its members; to promote and
dignify the musical profession; to develop loyalty to the Alma- Mater.
The membership shall be limited to those women who are established
professional musicians of high standing, or students who give evidence
of future success as performers or teachers, and have faculty recom
mendation.
Sigma Alpha Iota has just completed its Silver Jubilee Year, and may
point with pride to its growth and achievements. From the Alpha Chap
ter, with its seven founders, the fraternity has expanded into a large or
ganization, comprising fifty-five active chapters and seventeen alumnae
chapters.
The national organization maintains a cottage at the MacDowell Colony
and is now raising a fund to improve and beautify the grounds around
the cottage. Sigma Alpha Iota is affiliated with the Professional PanHellenic Association and with the National Federation of Music Clubs,
and was the first national organization to establish a chapter in the East
man School. Sigma Theta Chapter was installed January 16, 1925, with
twenty-three charter members. The membership now is composed of
thirty-two actives, fifty alumni, twenty patronesses, and two chapter hon
orary members. Last year Marion Sauer was initiated into second de
gree membership, the first Sigma Theta member to be so honored.

Sigma Alpha Iota International Musical Fraternity
SIGM A T H E T A CH APTER
CHAPTER
R a c h e l S. W

in g e r

O F F IC E R S

............................... First Semester President

Second Semester President
. . . Vice-President
T h e l m a A . W a i t e . . . . . . . . . . . . . . ....................... ..
Secretary
R u t h A. M e y e r .......... .. ......................................... ............ Treasurer
D o r is D a v i s o n . . . .......................
First Semester Chaplain
J e a n S w i n d e m a n ................................. Second Semester Chaplain
D o r is M c L a u g h l i n
................................. ..
Editor
V era A l l e n
....................... Sergeant-at-Arms
D

o r is

sth er

a v is o n

................................... .. .

P i e r c e .......................................................

A C T IV E M E M B E R S
Vera A llen
D orothy A nger
R osemarie B rancato
M arie B urbank
J ean C hristian
H elen C lement
D oris D avison
H elen E berle
E lizabeth F ranklin
V ictoria F ranzen
O live G ould

V irginia R enter
M arion Sauer
H elen Schick
M arceil Schwartz
J ean Swindeman
G enevieve V an D oorn
F lorence V ickland
M ilou V oitier
T helma W aite
R achel W inger

R uth H arsha
Lorene J ohnson
M ary J ones
L iselotte K ellner
F lorence K nope
Louise L eonard
E leanor M anning
D oris M cL aughlin
R uth M eyer
H elen O elheim
E sther P ierce

PA TRO N ESSES
M rs.
M iss
M rs.
M iss
M rs.
M iss
M rs.

T . A ustin B all
M arjorie B arnett
G. B . D . Bonbright
L ucy L ee C all
E ric C lark
C arolyn D oran
Stephen F ay

M rs. E ugene G oossens
M iss E dith H ale
M rs. H ilma H anson
M iss F annie H elner
M iss E rnestine K linzing
M iss E ffie K nauss
M rs. E dmund L yon

M rs.
M rs.
M rs.
M rs.
M rs.
M rs.
M rs.

M arjorie M acK own
A rthur M ay
E dgar R ose
H arper F. Sibley
D ouglas C. T ownson
Sandor V as
J eanne W oolford

Eighty-one

Mu P h i E psilon

■

U U PSILO N CH APTER OF M U PH I EPSILON, national
honorary musical fraternity, was installed in the Eastman School
of Music, February, 1925. Mu Phi Epsilon endeavors to

_y further the advancement of music in America by the high
standard required of schools in which Chapters are located, and the high
scholastic attainments required of its members, the maintenance of a Bene
fit Scholarship Fund for members in need of assistance in pursuing their
musical education, and co-operation with national movements which tend
toward the advancement of music. Each. Chapter strives for loyalty and
co-operation in all local civic music ventures, both educational and cul
tural, and by the maintenance of a Chapter Scholarship Fund with the
aim of stimulating endeavor in the entire student body.

Mu Upsilon Chapter presented, in the fall of 1928, its first Mu Phi Ep
silon Scholarship, in the Eastman School of Music, to the Freshman girl
who attained the highest rating on the rank list.
Students of Junior and Senior rank, faculty members and professional
musicians outside the Eastman School are eligible for membership.
Members are afforded opportunities for appearance on musical pro
grams, two of which are presented in Kilbourn Hall and are open to the
public. In accordance with a national aim of the fraternity, one pro
gram has been devoted to American music.

Mu Phi Epsilon National Honorary Sorority
M U UPSILO N CH APTER
C H A P T E R O F F IC E R S

President
Vice-President
E l v e r a W o n d e r l i c h ......................................... Recording Secretary
R a c h e l H a z e l t i n e ..................................... Corresponding Secretary
R u t h N o r t h u p ............................................................................ Treasurer
D o r is L a D u e D o d g e ........................................................• • • • Historian
E m e l i n e B o d l e r ...............................................................
Chaplain
E l i z a b e t h H u t c h i n s o n ......................................... ................... Warden
F l o r e n c e B r a d l e y .......................
. . . . . . . . . . . . . . . Chorister
H e l e n K . M c H o s e ............................................... Alumnae Secretary

L a il a S k

in n e r

il d r e d

l g in

................................... .

PA TRO N S AND
M r.
M r.
M r.
M r.
M r.
M r.
M r.
M r.
D r.

M rs. A tkinson A llen
G eorge B abco*ck
and M rs. E dward B ausch
and M rs. R obert B erentsen
E ric C lark
G eorge E astman
and M rs. F rank G annett
and M rs. H arold G leason
H oward H anson

and

. ... ....

...........................................

PA TRO N ESSES
M r. W endell H oss
M r. and M rs. C. F. H utchinson
M r. and M rs. A rthur P. K elly
M r. and M rs. .Buell M ills
M r. and M rs. E rickson P erkins
M r. and M rs. A rthur See
M r. and M rs. H arold O. Smith
M r. Sandor Y as
M r. R aymond W ilson

A C T IV E M E M B E R S
D orothy P und A llen
E dna R ichardson B arnes
C atherine Bodler
E meline Bodler
F lorence B radley
J essica Cole
M abel C ooper
M ildred E lgin
K atherine F rew
D oris L aD ue D odge

V irginia G ehrkens
F rances H arden
R achel H azeltine
E lizabeth H utchinson
E velyn M cC ann
K athryn M akin
E ileen M alone
E lla M ason
D oris M oore
M rs. J ennie B. M umford
R uth N orthup

E llen R athke
L aila S kinner
A delaide Stehle
G eraldine R hoades T raver
M arguerita W atts
M arion W eed
E lvera W onderlich
V irginia O’B rien
P hoebe Swanker
M ildred Stanley

Eighty-three

ligi

Delta Omicron
»ELTA OM ICRON, national musical sorority, was founded at
Cincinnati Conservatory of Music, Cincinnati, Ohio, on Sep
tember the sixth, 1909. The purpose of the organization is to
create and foster fellowship among musicians during their student days,
to give aid to Worthy women musicians, and to further the cause of
American music in all possible ways. Only those students of high per
sonal character who are taking a full course in the department in which
they are majoring and have maintained an excellent scholarship record
are eligible for membership. The national organization has built and
maintains a studio in the MacDowell Colony at Peterboro, New Hamp
shire, and also gives each year a full scholarship rotating among the
chapters.
KAPPA SIGM A PH I, a local sorority of the Eastman School of Music,
became Rho chapter of Delta Omicron on November seventh, 1925.
Monthly musicales, outlined by the national vice-president, are required,
and an annual public musicale is given in Kilbourn Hall. Rho chapter
also maintains a scholarship, given annually to the girl of the Sopho
more class who, in the judgment of the faculty, has shown the greatest
promise as a performer.

Eighty-four

Delta Omicron National Musical Sorority
RHO CH APTER
C H A P T E R O F F IC E R S
G

ladys

L o u is e C
A

gnes

etcalf

u y l e r

anks

... .'. . . . . . v . . . . ....................................... Regent

........................................................•".................

. . ............................... ..

Vice-Regent

. Corresponding Secretary

Recording Secretary
Alumnae Secretary
H e l e n D i b b l e .......................................................................... Treasurer
K a t h e r i n e B r o w n . . . . . . . Warden and Custodian Chaplain
B a r b a r a D u n c a n . , : . ............. i . . . . . .
Sorority Mother
H

a r r ie t

leanor

a r r is

Slack

......................................

.................. . ................................ .

PATRONS AND
D r. H oward H anson
M r. E ugene G oossens
D r. R obert M acL ean
M r. M elville Smith
M r. A shley P ettis

M r. G eorge B. P enny
M r. E manuel Balaban
M r. B ernard K aun
M r. G ustav T inlot
M r. H awley W ard

A C T IV E
M ary A llen
A lice Boone
M axine Broughton
K atherine B rown
E lsa B uedingen
J eannette C ass
G race Copley
Louise C uyler
A gnes D anks

PA TRO N ESSES
M rs. H enry Strong
M rs. H iram Sibley
M rs. R obert M acL ean
M rs. W illiam W erner
M rs. E dward Shove

M rs. G eorge B. P enny
M rs. E manuel B alaban
M rs. C. W alter Smith
M rs. H erman G enhart
M rs. G ustav T inlot
M rs. H awley W ard

M EM BERS

E vellyn D avis
H elen D ibble
P auline F owler
F rances G row
H arriet H arris
I rma H arold
M arion H erriman
P hyllis K nickerbocker
H arriet M artin
D orothy M cH ale

R uth M cN ally
G ladys M etcalf
H arriet R itchie
M argaret Sisson
E leanor Slack
M argaret Slosson
M argaret T hompson
G race T owsley
R uth W alker

Eighty-five

Phi Mu Alpha Sinfonia
) h i m u a l p h a s in f o n ia f r a t e r n it y o f a m e r —S ICA was founded at the New England Conservatory of Music,
Boston, Mass., in 1898. Alpha Nu Chapter was chartered at the
Eastman School of Music January 24, 1924.
The object and purpose of this Fraternity shall be to advance the cause
of music in America, to foster the mutual welfare and brotherhood of
students of musiCj to develop the truest fraternal spirit among its mem
bers, and to encourage loyalty to the Alma Mater.
Meetings are held weekly in the chapter house, following which mu
sical programs are given. We are very grateful to Mr. Goossens, the Kilbourn Quartet, Mr. Tinlot, Mr. Balaban, and Mr. Royce for their ap
pearances on these programs.
This year we have had the privilege of initiating Mr. Arthur See as a
chapter honorary member. Alpha Nu Chapter has given three radio
programs over Station W H A M this season.
The Eastman Sinfonia Little Symphony Orchestra, consisting of twentytwo members, principally Fraternity men, was originated by this Chap
ter. Mr. Belov is its faculty conductor. For the past two seasons this
organization has given joint concerts with the University Glee Club in
Toledo, Detroit, Chicago, Buffalo, and Kilbourn Hall.

Phi Mu Alpha Sinfonia
N A T IO N A L M USICAL F R A T E R N IT Y
F

ounded

B o sto n , M

assach usetts,

CHAPTER HONORARY

M r . E r ic C l a r k e

M r. G
D r. H

ow ard

eorge

E a stm

1898

M EM BERS

M r. E

M r. A

a n so n

rthur

ugene

o o ssens

S ee

FA CU LTY M EM BERS
Sa m

uel

elo v

arold

L andow

E dw ard R

leaso n
sh ley

erbert

e t t is

oyce

onald

Inch

•

E dgar R

o se

erald

unz

w eedy

O F F IC E R S

and Supreme Councilman
Vice-President
A r t h u r H e n d e r s o n ...................................................................... Secretary
V in c e n t E w in g . . . . . . .
. ..................... ............................. Treasurer
D o n a l d W h i t e ......................................... . ......................... Historian
I r a S h i r k , V . , . . . . . . . . . . . . . I ............ .. .............................. I Warden
C

larence

elson

u e r

...............President

o esc h er

............................. .............. ..

A C T IV E M E M B E R S
J ohn A ndrews
A nthony D onato
N elson D oescher
A rmat D uhart
Vincent E wing
H enry F reeman
W illiam G laser
T urney G ibson
R aymond H asenauer
A rthur H enderson

Charles H ill
R odney H imes
C harles J acobs
Stanley K eith
W illiam Lynch
R obert M cG lashan
M itchell M iller
J ean M usick
W illiam P inkow
N orman P eterson

Sam R ichlin
Clarence Sauer
I ra Shirk
C harles Siverson
J erome Smith
C harles Stickney
R obert Stone
T heodore V osburg
C arlton W agner
D onald W hite

Women’s Fraternity Council
H E W O M E N ’S FR A TER N IT Y COUNCIL is an organization
composed of three members from each of the three sororities of
the Eastman School. Its purpose is the settling of any questions involv
ing two or more sororities which may arise, and the encouragement of
an atmosphere of co-operation and friendliness between the groups.
Monthly dues provide for the furnishing and maintenance of the sorority
room in the dormitory, which is used regularly on designated nights by
each of the sororities. This year the custom of an inter-sorority tea,
sponsored by the council, was inaugurated and proved very successful.
The affair occurred during Freshman registration week, and was attend
ed by all the Freshman girls of the school.
C a t h e r i n e B o d l e r ..............................................
President
V i r g i n i a R e n t e r ............................................
Vice-President
L o u i s e C u y l e r .............................................................. Secretary-Treasurer

M EM BERS
C atherine B odler ............... Mu Phi Epsilon
G ladys M etcalf .................. . Delta Omicron
F lorence Bradley ................. Mu Phi Epsilon
Virginia R e n t e r .................. Sigma Alpha Iota
L ouise C uyler ....................... Delta Omicron
J ean Swindeman .............. Sigma Alpha Iota
A gnes D anks ........................ Delta Omicron
L aila Sk in n e r ........................ Mu Phi Epsilon
R achel W inger ..................I ...................... ........Sigma Alpha Iota

Eighty-eight

Co mp o s i t i o n Club
N D E R the leadership of Mr. Edward Royce, the Composition
Club of the Eastman School holds frequent meetings for the pur
pose of examining the scores of works to be performed at future
concerts. All students in composition may become members of this or
ganization.

The “Score” Staff

o u is e

uyler

Editor

f
O

rthur

M . S ee

Faculty Advisor

a sen a u er

Manager

H E “ S C O R E ” S T A F F , in th e p re se n t v o lu m e, h as e n d e a v o re d to p ay trib u te to th e life of
F r a n z S c h u b e rt a t th e sam e tim e th a t it sets d o w n , in e n d u rin g fo rm , m em o ries of E a s tm a n fo r
th e y e a rs to com e.

T h e sta ff is d eep ly g r a te f u l to M r . A r t h u r M . See, its fa c u lty ad v iso r, fo r his so u n d co u n cil a n d in
sp ira tio n , a n d to M r . S p en cer G . E a s to n , o f th e G en esee P re ss, fo r th e sp le n d id d ra w in g s o f th e u n i
v e rs ity b u ild in g s, a n d fo r th e final p re s e n ta tio n o f th is book. T h e p h o to g ra p h s in th e S en io r sectio n are
th e w o rk of M r . A le x a n d e r L e v e n to n , th e c o n c e rt-m a s te r o f th e E a s tm a n T h e a t r e o rc h e stra , w h o se a d
vice h a s b een m o st h e lp fu l.
I t is w ith h u m b le n e ss a n d som e tr e p id a tio n th a t th e sta ff o ffers th e “ S co re” of 1 9 2 9 to th e School—
a n d sh o u ld it in la te r y e a rs b rin g to m in d a sin g le h a p p y m e m o ry — b u t o n e -h a lf fo rg o tte n fra g m e n t
o f E a s tm a n days— w e sh a ll n o t h a v e w o rk e d in v a in .

L ouise C uyler

ADVERTISING
SOLICITORS

Editor-in-Chief

R ay H asenauer

EDITORIAL STAFF

R uth M eyer

Assistant Editor
G ratia W ardle

Assistant Editor
E lsie A gor

Art Editor
R achel W inger

Photograph Editor
BUSINESS STAFF
R ay H asenauer

Business Manager
L eon L enard

Asst. Business Mgr.
R obert M oore

Advertising Manager
G ladys M etcalf

Circulation Manager
H elen D ibble

Circulation Manager

Ninety

R obert M oore
V incent E wing
L eon L enard
G ratia W ardle
R uth M eyer
M arie L ouise W hiddit
M elvin L emon
N orman P eterson
E lsie Standing
E lsie A gor
G ladys M etcalf
R uth D avis

and

A thletic

1!
||
È

Ballet Music from “Rosam ond”
SCHUBERT - KREISLER

A lleg retto moderato

Ninety-one

Boys’ Basketball
P si U p s i l o n ....................................
T h e t a C h i ......................................
S ig m a D e lta E p s ilo n ..................
V a rs ity F r e s h m e n .......................
Y . M . C . A .....................................
Y . M . C . A . ..................................
S ig m a D e lta E p s ilo n ..................

1 .......... . . . 4 9 . .
.....................3 6 . .
.....................3 1 . .
.....................3 8 . .
.....................4 4 . .
.....................3 1 . .
.................... 4 9 . .

.
.
.
.
.
.
.

. E a s tm a n
.E a s tm a n
.E a s tm a n
. E a s tm a n
. E a s tm a n
. E a s tm a n
. E a s tm a n

.......................
............................
............................
............................
............................
............................
............................

................................. 51
................................. 49
................................. 50
.................................35
...............................4 0
................................. 27
................................. 48
300

278

Players
P in k o w ( C a p t .)
G la s e r
M a c G la sh e n
M ille r
S iv erso n
L ynch
G ib so n
F re n c h
K a u ffm a n
H ill
H a w k in s

Position

Games

Points

G u a rd
' F o rw ard
C e n te r
F o rw a rd
G u ard
G u a r d - C e n te r
F o rw a rd
C e n te r
F o rw a rd
G u ard
G u a rd

6
7
6
7

70
60
43
79

3
3
3
1
0
4

14
0
2
0
0
3

C O A C H — C la ire K ra m e r
M A N A G E R — Jo h n W . L ynes

Ninety-two

G irls ’ B a s k e tb a ll
F IR S T T E A M

D orothy H amel
F rances D unlop
M arian B roadfoot
C aroline M cK ee
N orma P rice
D orothy M iller
M artha Sm ith
SECO N D T E A M

L eona B ishop
B etty A nderson
D orothy C ooney
M argaret L ewert
E velyn C lapp
L ucy H ale

Ninety-three

Ninety-four

E nglish C o u n try D ancing

Sword Dance

Parson s Farewell
N inety-five

E nglish C o u n try D ancing

Newcastle

Ribbon Dance
Ninety-six

My Abode
Not too quickly, yet with force (Nicht zu geschwind, doch kräftig)

PIANO

Swift rush-ing stream,
Rau-schen - der Strom,

loud moaning wood
brausen - der

Wald,

Rock bleak and scarred,
star.ren

der

Fels,

my
mein

Ninety-seven

W om en ’s D ormitory

M iss G eorgianna W heeler
Stephen Foster Hall

Ninety-eight

E astm an W o m e n ’s D o rm ito ry
H ERE it stands, beautiful in the March sunlight—the long, slant
ing shadows of the trees on the avenue falling across the green, which
slopes gracefully toward the hedge. As I look at it, reminiscences crowd
upon reminiscences. Within four years it has attained both grace and
dignity. Vivid memories come rushing back to me as I scrutinize for the
hundredth time the beauty and detail of the building.

I think first of the muddy court, which had to be traversed back in ’26,
when the new Freshman Class swarmed in and took possession, before
the building had been completed. Crude board walks were hastily
stretched to the sidewalk from the entrances of what were then known
as “A ” and aB” Houses. Across these walks, on rainy days—of which
there were all too many that first month—muddy pools eagerly rose and
shook hands with each other. Gallant Sir Walter would have gained
favor from many a fair lady that season, had he been present to assist
them over these aggravating little waterways. Early in the following
spring, preparations began to be made for the addition of another wing.
The shrill rat-a-tat of the iron drill greeted us much too early in the
morning, and accompanied us persistently throughout the day. With the
coming of June we turned our backs, as we left for our homes, upon a
veritable chaos—and not, I fear, too sadly.
Came September. What magic hand had wrought the change which had
so miraculously taken place? And what a comparison to the impression
which had been created exactly one year before! Soft sunlight filtered
through the leaves to the dignified cloister, which connected the two long
er wings, and formed the fourth side of the court. The fact that the
building was so complete was breath-taking, but as we stepped down
from the cloister into the court we literally gasped. Strips of snow-white
paths crossed the neatly trimmed grass.- To a stranger an impression of
a long established, carefully developed lawn would immediately have
been given. Had we been playing Rip Van Winkle while all of this had
been taking place? It seemed incredible! .
Two things were still lacking, however. One was the addition of shrub
bery to soften the effect of the sharp squareness of the corners, the other
was the inscription of names on the plates over each entrance to the build
ings, which still suffered the indignity of having to be spoken of as “A ”,
aB” and “C”. The first task was accomplished during the spring of the
following year, and just recently, in the fourth year, the houses have be
come respectively Hopkinson Hall, MacDowell Hall and Stephen Fos
ter Hall. With this achieved, we need only look forward to the time
when the ivy, which is already climbing ambitiously around the lowest
window sills, has sturdily ascended to the highest, and the Dormitory is
indeed a vine-clad hall, and worthy of our highest respect and love.
—Elsie Agor

Ninety-nine

O u t in the C o u rt there stands a Tree/
O f which I m suspicious as I can hel
It peeks through the w indow a n d over the w a
A n d .examines the people w ho come to call.
T h a t it sees m any things I haven t a do uht
Because it looks from the outside in7
A n d from the inside out.
It stands in a corner/ far out of sight/
But uses its eyes hoth day a n d night.
— It can t fool me/ the sly old tree7
A ^ t h its false appearance of modesty,
I see it stretch up just ever so tally
A n d scan the autos past the cloister wall.
A n d w hen I have a guest a t night
I pull the shades dow n7 good a n d tight.
Im not going to let it,spy on me7
T h e wily/ curious/ old C o u rt T ree.
—Elsie Ag

One Hundred

Snaps from th e Life of a D o rm d w eller

One Hundred One

e n

’s

o r m it o r y

T . L yle K eith

House Father

One Hundred Two

History of the Men’s Dormitory
WAS a sunny day in September in the year of our Lord,' 1928.
The Boys’ Dormitory-to-be was bustling with painters, carpen
ters, plumbers, and plasterers, who were working in feverish
haste to reinstate the majestic grandeur (?) of the old and stately man
sion situated at 47 Prince Street. The silent house said nothing to all the
alterations going on inside it ; this was an accustomed procedure, since it
had been the original home of the Eastman School, and later, the girls’
dormitory (which probably accounts for its present condition). Now it
was to be the home of some seventeen pure and simple Freshmen.
During the next few days, the inmates arrived and made acquaintances
with those who were to be their companions for the ensuing nine months.
After a week of trying psychology tests and auditions, school began in
full force. Affairs ran along smoothly with ever-increasing enthusiasm,
until Freshman Week.
Tuesday, September 25th, a feeling of unrest pervaded the atmosphere. A
certain Freshman received information to the effect that the Sophom*ores
and upperclassmen were to visit the dormitory that evening. Elaborate
preparations for their reception, consisting of ripe eggs, rotten tomatoes,
lemons, squash, lettuce, apples, oranges, muskmelons, etc., were made.
These were placed at points of vantage on the porch roof and in upstairs
windows. The inevitable happened, but the outcome was contrary to
the expectations of the visitors, and after a bloody combat of one hour,
the aggressors found themselves thoroughly drenched, battered and bevegetabled. The defenders were also, even as victors, a sorry looking
bunch. The defeated show their good sportsmanship by inviting their
conquerers to the fraternity house for a feed and general good time.
The remainder of the night was spent in rejuvenating the spattered dormi
tory. Soon after this, the dormitory was christened the Eta Bite-a-Pie
Fraternity, and the best of fraternal spirit endured throughout the year.
Another outstanding event of the year was the Bohemian Party, given
March 8th, 1929. It was unanimously voted one of the most unique and
successful events of the school year.
This was the first year of the existence of a Men’s Dormitory at the East
man School, and it was certainly a most successful year.
Long live Eastman!
Long live E. B. P .!

One Hundred Three

M e m b e rs o f E ta B ita P i
L yle K eith ( “Geraldine” ) —-H o u se m o th e r a n d
Rochester, N.Y.
H ig h M u c k y -M u c k .

V ernon T a n n e r ( “ The Prodigal Son” ) — “ Silence

J ean M usick ( “Pug ” ) — W a tc h o u t, g irls, he is a

J ulian M cC reary ( “Bingo”) — “ D o g g o n e, hush

Colorado Springs, Col.

re g u la r “ B e a u B ru m m e l.”

Spartanburg, S. C.

is g o ld e n .”

Spartanburg, S. C.

y o ’ m o u f !”

J o h n A ndrews ( “Johnnie” ) — “ L a y off m y c ig a rBuffalo, N.Y.
ettes, you pots.”

W illiam J enning s ( “Gertie ” ) — E d n a W a lla c e

J ack P epper ( “Red H ot ” ) — If music be the lanHollywood, Calif.
guage of love, play on.

L eopoldo F rancisco D e Sala ( “Leo”) — “ F o r

A lex R eisman ( “A l”) — “ H e y , boys, do y o u m in d
Hollywood, Calif.
if I p la y a n o th e r r e c o r d ? ”
C harles N ye ( “Jakie” ) — T h e f u tu r e “ I . M . P u b Retsof, N.Y.
lix.”
D . U pton L ivermore ( “Livee”) — S ile n t, b u t, oh
Waterville, N.Y.
my.
R alph Y oung ( “Aristotle”) — “ A in ’t love g r a n d ? ”

Boston, Mass.
G ilbert D arisse ( “'Woffie”) — Ask any girl, she
Quebec, Canada
knows.

Barbertown, Ohio

H o p p e r ’s p re p a ra tio n s exclusively.

Havana, Cuba

gosh sakes, le t m e sleep !
I t ’s o n ly n o o n .”

J o h n G ross ( “ Creampuff” ) — “ M y lips are sealed!

South Barre, Mass.

I say n o th in g ! ”

H arold V a n S lyke ( “ The Dark Element, Queen
Carthage, N.Y.
of Carthage” ) — “ H e r e I am ,
g ir ls ; lo o k m e o v e r.”

K e n n e t h C aie ( “Miss Liszt”) — T h in g s a re n ’t
Berlin, N.Y.
w h a t th e y seem to be.
Sidney E astm an , ( “Geòrgie”) — G iv e m e w a te r,

Westfield, Mass.

w o m en , a n d m y h arm o n ica.

Description of a Day at the Dormitory
A. M .
6 : 3 0 - 7 : 00

7 : 00

R in g in g of a la rm clocks in p o ly
p h o n ic sty le, a n d a ll th ro u g h th e
ho u se n o t a c r e a tu re stirs.
A fe w of th e m o st c o u ra g e o u s arise
to go to th e w a sh b asin a n d p re
p a re th e ir m o rn in g to ile t a m id th e
c la n g in g o f o th e r a la rm clocks.

M.
P. M .
1 2 :0 0 - 1 :0 0

2 : 00

L u n c h a f te r th e h a rd m o rn in g ’s
w o r k fo r o u r esteem ed c h a m b e r
m a id , c o n sistin g o f c rack ers, p ea
n u t b u tte r , a n d sard in es.
D e S o la g ets up.

2 :0 0 -

4 :0 0

F in is h in g to u ch es on th e n o w im
m a c u la te d o rm ito ry .

7 :3 0

G e n e ra l ru sh to w a sh b asin s as
first g ro u p is le a v in g fo r school.

5 :0 0 -

8 :0 0

R e tu r n o f in m a te s a fte r a h a rd
d a y ’s w o rk a t th e school.

8 :0 0

A r r iv a l o f F e lix , c h a m b e rm a id ,
fire m a n , p lu m b e r, a n d e te rn a l so m
n a m b u list.

8:00-

3:00

S y m p h o n y co n c e rts, gam es, fights,
jo k es, p ra c tic in g , stu d y in g ? ?, re
tir in g o f a few .

9 : 0 0 - 12 M .

P ro c e ss of tid y in g u p th e b o u d o irs ;
sw e e p in g o f d ir t b e h in d d oors,
u n d e r b e d s ; e m p ty in g o f w a ste -b a s
k ets. ( D u s tin g d o n e once a m o n th ,
w h e th e r it is necessary o r n o t.)

3:00-

6:30

S ilence “ r a in s ” excep t fo r th e v io
le n t a n d co n v u lsiv e sn o res issuing
fro m th e d a r k recesses of th e v a
rio u s ro o m s a n d th e sig h in g and
m o a n in g of th e old b u ild in g .

One Hundred Four

Sidelights on the Boys’ Dorm

One Hundred Five

Leisure Moments of the Faculty
A N D

One Hundred s ix

THE

S IN F O N IA

S T A R T S IT S S P R IN G

Scenes from Frat Initiation

TO UR

Intimate Moments with Our Seniors

One Hundred Eight

Intimate Moments with Our Seniors

One Hundred Nine

Just

Offthe Press!

Latest book by master theorist.
E n th u sia stic S tu d e n ts every
w h ere en d o rse M r. T w eedy’s
methods.

Just O ne of His Many Testimonial Letters
Pumpkin Corners, Oklahoma,
April 24, 1928
My Dear Mr. Tweedy:
I have heard of your appointment to the vocational department of
the University of Batavia, N. Y., and I take this opportunity to con
gratulate you on your promotion. Perhaps my experience will aid in
establishing your reputation. If you think so, you have my permission
to use this letter.
Before I took your course at the Eastman School of Music, where
you were an instructor in theory at the time, I was a Balona harmonica
player of no mean ability. Balona was my birthplace. I was engaged at
the time as a street car conductor of no mean ability, so my hours for
practice were few. Consequently everyone, including myself, was sur
prised that I could do so much with so little. Finally, the citizens of
Balona decided I was too big for the town, and I was immediately sent
to Eastman, following my concert, which the townspeople gladly spon
sored in order to raise funds for my education. The course that bene
fited me most, I think, was theory under your personal instruction of no
mean ability. The reason that I received so much good from this study
was because you took such a personal interest in my welfare, suggesting
from time to time that I change my profession.
Thanks to your careful instruction in the hearing of chords and their
inversions, I am now a plumber of no mean ability, because, due to my
acute ear, I can tell with no difficulty which floor the leak is on. I am
just one of your many students who has made a success by following your
advice, and I hope some of your present students will recognize your
ability at suggesting a profession, be it that of dish-washer, ditch-digger,
sexton, masseuse, bootlegger, or prizefighter.
Most respectfully yours,
IM A SAP, M. P. (Master Plumber)

W hy Consuls Leave H om e
f N days of old, when Italian

black shirts were made of
tin, and Corsica was out in
the Middle West, there lived
a Rotarian named Mark An
tony. He was a good one hundred
percenter, and a man with vim,
vigor, vision, and all those other
Crt'/fl *Efvte.S
qualities which go to make up the
_ To B.C
0
perfect Elk.
Now, it seems that Rome had been
having political troubles, because
of a couple of Reds named Brutus
and Cassius, who were the direct
ancestors of Sacco and Vanzetti.
They had been engineering a revo
TwC PhoTo<•*«Put*
lution and had killed Julius Cae To«
T
w orn.?.
s
.
sar, the big bridge builder and
politician. Now, Mark Antony
was a man who believed in good
conservative government, law and order, economy and a high protective tariff, so he fell
in with a couple of brother Klansmen to inaugurate a safe and sane government. These
two men were Octavius and Lepidus, engaged respectively in the linoleum and chewing
gum lines.
tw

T > o u ji£ -

r te T U U D - B mT THE
£ * P R X S 1 t» K

•*

“P e a c e

with

Well, when these three got together, things began to hum. The Fascisti put out Brutus and
Cassius, and business came back to a pre-war basis. They formed a triumvirate, abolished
parochial schools and made laws prohibiting Sunday baseball, bookmaking and co*ck fight
ing. In other words, they got the Roman State in a condition that would please the most
energetic immigrant from the Bible Belt. Lepidus, Octavius and Antony were sitting as
pretty as three City Managers possible could; so they decided to split the empire up into
three divisions and each boss one division.
Now, big business men have always been known to be tired. If they were not, the Mutual
Burlesque Circuit would have gone on the rocks years ago. Mark Antony was becoming
tired. He had heard about that land of eternal sunshine, Egypt. All the Roman realtors
were booming this country of health and happiness, the Tia Juana of Rome; so Mark im
mediately grabbed off this realm, over which he should be Kleagle.
Now, it seems that Lepidus and Octavius believed in ruling their dominions from their
offices in Rome, but Antony was just dying to get the rust off his golf clubs, so he figured
on taking a little trip to Egypt. Now, a golfing expedition to Egypt was no good reason
for drawing traveling expenses on the Roman Treasury, so Mark thought up a good reason.
He decided that if he staged a war in Egypt he would have to be there to protect the Roman
interests, lives, and oil concessions. There was, at that time, a little republic inhabited by
the Parthians. They were behind on settling their last war debt, they had had two or three
revolutions, and they had become sore when the Romans built oil wells on their front lawns,
and split up their public parks for real estate development projects. Here was the perfect
excuse. Antony made war on the Parthians. The Romans started saving peach pits, and
holding meatless days, the Boy Scouts planted war gardens, and Antony, before fifty thou
sand cheering Romans, mounted the rostrum in the forum and with his golf clubs over his
shoulder sang, “You’ll Never Get Rich By Digging a Ditch, You’re In the Army N ow .”
One Hundred Eleven

W hy Consuls Leave Home (Continued)
Now the scene shifts to Egypt. The Marines were the first to
land, but Mark Antony was right behind them. Just as soon as
he had landed, he told the Marines to run along and amuse them
selves. Like all good butter-and-egg men from Rome, he started
looking up a good date. He closed his eyes, opened the telephone
directory, put down his thumb and opened his eyes. Whose name
did his thumb fall on but that of Cleopatra, N ile VI IV LV V.
He rushed to the phone, dropped in a Roman street car token,
and then began an historic love affair.
Soon forgotten was the Parthian war, the sugar shortage, and the
four-minute speakers. Soon forgotten was his wife, Octavia,
who was at home knitting sleeveless sweaters, and his two chil
dren, who were saving thrift stamps. Antony was the chief sugar daddy of the whole
Egyptian nation. The royal palace became the most notorious love nest of the decade.
Every week Mark was offered thousands of lire in vaudeville contracts. Newspaper pho
tographers swarmed the palace in efforts to get pictures of Cleopatra in her famous cham
pagne bath. The morals of the royalty spread throughout the land, and in one year the popu
lation of Alexandria was increased by three thousand little Egyptians wearing three thou
sand Roman noses. Needless to say, the war dragged on. The Roman army was happy
but tired. Not a Parthian had been killed, and not a Marine had earned his wound stripes.
But back in Rome things were not so hot. The citizens were rapidly tiring of whole-wheat
bread; the Y. M. C. A. was having a hard time to make its drives go over the top, and the
women were getting tired of knitting. Octavia was beginning to wonder what the war was
all about, and all the information she could acquire was gathered from post cards from
Mark, always reading, “Am having a fine time. Wish you were here.”
Lepidus and Octavius had just about decided that this glorious war was not improving busi
ness in either the linoleum or chewing gum lines. All in all, the Roman Empire was
tired of the war, and fifty million Romans can’t be wrong. There were mutterings among
the labor unions, “Maybe Brutus and Cassius weren’t such bad guys after all.”
Prices were going up and wages standing still. Lepidus’ Capitoline Linoleum works shut
down to a four day week. The Venus Breath Chewing Gum factory laid off two hundred
men. Octavia put up her knitting needles, hired a private detective and a lawyer.
The big bust up came one morning when the tabloids came out with the following headline,
“Roman General Head of Egyptian Love Cult.” Within a half-hour things were hum
ming in the Metropolis. Antony’s name was erased from the social register; he was read out
of the Republican party; the Senate voted to unseat him; the Elks suspended him, and Oc
tavia started out on the war path. She called up Octavius and Lepidus, called together
some loyal black shirts, Klansmen, and together with the vice squad all set out for Egypt.
When the expedition landed in Alexandria, neither the Marines nor the vice squad were
first to land. Octavia dashed down the gang plank with a Roman rolling pin in one hand
and the momentous tabloid in the other. Close behind her came the Fascisti shouting, “Vive
il Duce” and “Hell and Maria.” Immediately the parade of purity
started up the main street of Alexandria. Octavia waved a wicked
rolling pin, and the vice squad were one hundred per cent efficient.
Everywhere one could see Marines leaping from second story win
dows in only their snow-white nighties. The march continued until
the capitol building was reached. There was no delay. Bang, bang,
N,cBur thc
and eight Egyptians bit the dust. Cleopatra’s old rose banner was
r\ALAPY
oH.
pulled down, and in place of it floated the royal purple banner
One Hundred Twelve

W hy Consuls Leave Home (Continued)
bearing the initials S. P. I. R., which when translated into the Esperanto means, “There’s
Not a Cough In a Carload.”
Ten minutes later Antony and Cleopatra were dragged from their couch of roses, where
they were found drinking Ovaltine from a golden goblet. They were tried before a jury
of sober one hundred percenters, with Octavia on the bench, and were sentenced to be shot
at sunrise. The next noon the Alexandrian tabloids came out with an extra green edition,
bearing the headlines, “Jazz Queen Goes to Death With Roman Sugar Daddy.
fh e
words of the dying pair were:
Cleopatra—“Who was that lady I seen you with last night?”
Antony—“That wasn't no lady. That was my wife.”
— D orothy L arson

»>---- ------------- <*■

V io lin M a jo r E x a m in a tio n s
AT THE
E astman School of M usic , E ast M a ( i ) n and G ib s ( o n ) Streets
ROCHESTER, N.Y.

Kno(pe) you all that no Harper played, but only Gould fiddlers, and that everyone
of them played Standing, although you bet you would Need (ham) a seat for the occasion.
As I said, we had Levine fiddlers in all, a Brown Herron, a Kaufman tailor, and Mon
Grief! even the inventor of the well-known Fried (man) potatoes, Boone to the human race.
Besides these, I can only recall the Lean Lenard, the Rasch Walska, the Pepper (y) Cuyler with her Donat(o)ed Eber(le) so good fiddle and Stick-ney I forget her M aje(w )st(k)y
Me Kim who always knows her Larson so well.
—Paul Kefer

One Hundred Thirteen

“College Humor”—A La Eastman School!

One Hundred Fourteen

D o m ito ry N ew sreel —No. 4

One Hundred Fifteen

E pilogue
It is finished now,
The lamp grows dim;
Outside, the stars are cold—
And thru the open door
Tomorrow lies.
Let's haste to search its shado
For dreams are gold
Beneath the moon,
And day lurks
Just beyond the hill.

One Hundred Sixteen

E a s t m a n Sc h o o l o f M
of the University of Rochester

usic

H oward H a nso n , D ire c to r

Q ofln J fln d o w e d S c h o o l O fferin g C om plete J fd u c a tio n
in J i l l Branches o f A iu sic
M
i
_ „ .
~
T
,
f D e g re e M a s te r o f M u s ic
C o lle g ia te C o u rse s L e a d t o : j D e g re e B a c h e lo r o f M u s ic
C o u rse s L e a d in g to E a s tm a n School C e rtific a te
P r e p a r a to r y C o u rse s

( D ip lo m a )

S pecial C o u rse s

S tu d e n t S y m p h o n y O r c h e s tr a —

School C h o ru se s —

C h a m b e r M u s ic E n se m b le s — O p e r a D e p a r tm e n t —
C o u rse fo r O r c h e s tr a l C o n d u c to rs
C o u rse s fo r M o tio n P ic tu r e T h e a t r e O r g a n is ts

t
(

F A L L TERM OPENS SEPTEMBER ns
The Eastman School Can Admit Only a Limited Number
of Students to Its Entering Class. Therefore,
PROMPT REGISTRATION IS NECESSARY
to Secure Admission

I
(

For Catalogue and Information Address’.
A rthur M . See, S e c re ta ry E a s tm a n School o f M u s ic
R ochester , N ew Y ork

One Hundred Eighteen

•at

HOME

THE

STEINWAY

PIANO

THE W ORLD’S BEST
MUSICAL MERCHANDISE
<~mni--- :mn

has been our constant policy and endeavor through
out our quarter of a century’s service to the music
student, teachers, and institutions, and to the lovers of music
in Rochester and Western New York, to not only carry
stocks so complete and comprehensive that every musical
want, no matter how trivial, could be found here, but also
to present for the fulfillment of these musical needs the
very best the musical industry produces.

healthy growth during these years, in a
large measure due to the valued patronage bestowed
upon the Levis Music Store by the students, the faculty
and directors of the Eastman School of Music, has con
vinced us of the. wisdom of this policy.

O N S IS T E N T ,

E take the opportunity presented by this page to ex
press our deep appreciation of this patronage. We
reaffirm our policy of maintaining wide comprehensiveness
of stocks, high quality of merchandise, and sincerity and
courteousness of service.

W
S

thank you and please remember we have everything
musical from a mandolin pick to a Steinway Duo-Art
Reproducing piano.

When Your Wants are Musical Come to

Sole

e in w a y

e p r e s e n t a t iv e

for

o ch ester

a n d

e r r it o r y

One Hundred Nineteen

M. P. M O L L E R
THE WORLD’S LEADING ORGAN BUILDER
—

— zJtiCaker of

—

i The Famous Three|
MOLLER CHURCH AND CONCERT ORGANS
P ro v e d f a r th e b e st b y th e m u sic a l a n d m e c h a n ic al ex cellen ce of th e m an y
im p o r ta n t in s ta lla tio n s th ro u g h o u t th is c o u n try a n d a b ro a d .

MÖLLER “ DE LUXE” UNIT THEATRE ORGANS
A n o rg a n so f a r su p e rio r in its a b ility to give th e o rg a n ist o p p o rtu n itie s fo r u n
p re c e d e n te d screen ex p ressio n , t h a t is h as been p ro n o u n c e d by th e th e a tric a l w o rld
to be th e b est.
( T h e in s tr u m e n t re c e n tly p laced in th e M e t T h e a tr e , P h ila
d elp h ia, is th e la rg e s t u n it o rg a n e v e r p laced in a n y th e a tr e .)

MÖLLER “ARTISTE” REPRODUCING ORGANS
N o t o n ly re p ro d u c e th e p la y in g o f o rg a n ists to th e m in u te s t d e g re e of f a ith
fu ln ess, b u t a re b u ilt to in te r p r e t sy m p h o n ic o rc h e s tra l m u sic in a n a sto u n d in g ly
in te re s tin g m a n n e r— in th is re sp e c t th e y o ccu p y a place alone.

Booklets, specifications, etc., on request.

M. P. M O L L E R
Plant and Executive Offices
H A GERSTOW N, M ARYLAND

“THE WORLD’S LARGEST MANUFACTURERS OF PIPE ORGANS’’

BRANCHES
1203 L oew B ldg., 1540 B roadway,
N ew Y ork C ity

1203 F ranklin T rust B ldg.,
P hiladelphia

116 G olden G ate A ve.,
San F rancisco

6054 Cottage G rove A ve.
Chicago

4109 Lyndale A ve., S.,
M inneapolis

1626 C alifornia St .,
D enver

1009 F irst A ve.,
Seattle

One Hundred Twenty

129 N orth

A ve.,
A tlanta

N. E.

M edical A rts B ldg.,
M emphis
1514 F orbes St .,
P ittsburgh

One Hundred Twenty-one

KoHteRoOiMPBetc
P IA N O S

T th e E a s tm a n School o f M u sic , 6 4 K o h le r
L & C a m p b e ll P ia n o s n o w re n d e r sp le n d id
service. A t h u n d re d s of c o n se rv a to rie s a n d schools
a ll o v e r A m e ric a , th e K o h le r
C a m p b e ll is th e
choice of m a ste r a n d s tu d e n t alike.

■

H E g e n u in e p o p u la rity of K o h le r £sf C a m p b e ll P ia n o s in schools a n d hom es
th ro u g h o u t th e c o u n try c an o n ly be ex p la in e d by th e b e a u ty , to n e a n d y ears of
sa tisfa c tio n b u ilt in to ev ery one of th ese su p e rio r in s tru m e n ts . Y e t, fo r a p ian o o f th is
q u a lity , th e K o h le r £sf C a m p b e ll is n o t h ig h p ric e d . L e t us sen d y o u a b e a u tifu l b ro
c h u re a b o u t th e K o h le r & C a m p b e ll P ia n o .

■

K ohler & C ampbell, I n c .
50 th Street & 11th A v e n u e , N ew Y ork C ity

One Hundred Twenty-two

TEIN W AY
THE

IN ST R U M E N T

“THE MAGIC FIRE SPELL,”

the STEINW AY COLLECTION hy N . C. W YETH

I t is g e n e ra lly conceded th a t m the F ire M u s ic
fr o m “D ie T F a lk u r e ” Tfa*gner atta in ed a new
level o f o rch estra l tone-painting. T h e w rith in g ,
w h istlin g flam es, the g litte rin g sheets o ffir e h u m
quenchlessly in th is im m o rta l score. I t is un
questionably one o f the suprem e achievem ents
o f p ro g ra m m usic.

•

to th e p r e se n t d a y , h a s h e e n in tim a te ly
asso cia ted w it h th e n am e o f iS te in w a y .
F o r 3 0 , 4 0 , or e v e n 5 0 y e a r s a n d m ore
th e S t e in w a y w i l l c o n tin u e to g iv e in
com p arab le se r v ic e , lo n g a fter a c o m m o n
p la c e in str u m e n t h as g o n e its w a y . A n d

•

there lie s tlie tru e in d e x o f e c o n o m y . . . .

T H E R E are fe w p le a su r e s in th is w o r ld

Y o u n e e d n e v e r b u y a n o th e r p ia n o .

to com pare w itli tlie o w n e r sh ip o f a fin e

•

p ia n o . I t s g ra cefu l, g le a m in g p r e se n c e in
o n e ’s lio m e , its l o v e l y v o ic e , its n e v e r -fa il

$875

in g s y m p a th y an d c o m p a n io n sh ip p la c e it
h ig h in th e regard o f c u ltiv a te d p e o p le .

•

A new S te m w a y p ia n o can be
b o u g h t fr o m

A n d th e ir c h o ic e is a r e fle c tio n o f th a t

A n y S te in w a y p ia n o m a y be p u rc h a se d w ith a
cash deposit o f 10 % , a n d the balance w ill be
extended over a p e r io d o f tw o years. U sed
p ia n o s accepted in p a r tia l exchange. A fe w
com pletely re b u ilt S te in w a y s are ava ila b le a t
special prices.

o f th e

F o r m ore th a n 7 5 y e a r s su c h p e o p le
h a v e tu rn ed to th e iS te in w a y as th e fin est
p ia n o a v a ila b le a n y w h e r e in th e w o r ld .
fo r em o st m u sician s.

V ir t u a lly

e v e r y great n am e in m u sic, from "W"agner
R epresented

forem

t e in w a y

& S

o n s,

S te in w a y H a ll

109 V ^ est 5 7 th S t r e e t , H e w Y o r k
st

dealers

everywhere

WHEN YOUR WANTS ARE MUSICAL COME TO

“ M

at Srrantom s

Is often heard around Eastman School

X N

id e a l p la c e to w a it fo r y o u r frie n d s, fo r th e S c ra n to m shops a re p e rp e tu a l
b a z a a rs o f th e n e w m e rc h a n d ise fro m th e b est m a n u fa c tu re rs a n d p u b lish e rs

h e re a n d a b ro a d .
T h e B o o k Shop is one o f th e g re a te s t b o o k sto res, w h ile th e shops d e v o te d to
S ocial S ta tio n e ry , A r t

N o v e ltie s,

L e a th e r

G o o d s,

E d u c a tio n a l

S upplies,

S p o rtin g

G o o d s, G a m e s a n d T o y s a n d O ffice E q u ip m e n t a re e q u a lly co m p lete.
E v e r y th in g is a r r a n g e d to m a k e a le isu re ly e x a m in a tio n o f a ll stocks m o st e n
jo y a b le , a n d th e S c ra n to m slo g a n since 1868 h a s been

"Come in and Browse”

A nother Scrantom' s
I n the P owers B uilding

L ocated at

334-336 MAIN ST. EAST

■

1_____________________________ _____________________________ ^ ------------

Qompliments o f
The U niversity o f T pchester

■1
- - - - rf- - - - - - - - - - - - - - - -

One Hundred Twenty-four

J 1
------------- ----- » — I

Dennison Organ Pipe Com pany
Flue and Reed

O RG A N STOPS
M etal or Wood
Voiced for Churches, Schools,
Residences, Theatres
ooo

W IL L IA M S. D EN N ISO N
Treasurer and Manager
1847

R EA D IN G , MASS.

1929

One Hundred Twenty-five

Purposeand a Pledge

to Youth
If in merchandising there is one mission which could
be defined as the greatest of them all, we would define
that as a purpose and a pledge to give to the youth of
our community the best that a Big Store can obtain
from world-reaching markets.

SIBLEY, LIN D SA Y & CURR COM PANY
R

One Hundred Twenty-six

o c h ester ,

ork

ARTISTS’ M A TERIA LS

and
D R A U G H T IN G SUPPLIES
T a b le s , S lid e R u le s, T -S q u a re s , D r a w in g B o a rd s, T r ia n g le s ,
T h u m b T a c k s , In k s, P e n s, P e n c ils, E ra se rs, etc.
I n s tr u m e n ts in Sets.

D r a f tin g

O il a n d W a t e r C o lo r Sets, S k e tc h in g

E a sels, S h o w C a r d C o lo rs, B o a rd s a n d P a p e r.

BARNARD, PORTER & REMINGTON
9, 11, 13 N o r th W a t e r S tre e t, N e a r M a in

Phone Main 8140

One Hundred Twenty-eight

This Desk was made for You!
Whatever your business, this desk can be arranged to meet your exact requirements.
And how this desk saves time! Big, roomy drawers keep often-referred-to card
records or papers right at finger tips, visibly indexed, instantly accessible. No
valuable minutes wasted walking to the files or waiting for a file clerk.

Efficiency Desks
a re e q u ip p ed w ith p a te n te d ro lle r b e a rin g slides.

H e a v ie s t

lo a d e d d ra w e rs ro ll in o r o u t a t a to u c h .

Six Models—For Executives, Salesmen, Stenographers,
Clerks or General Offices
C=)OOG=>

\ aw m an
We will gladly tell you how much time,
trouble and money can be saved in your
office with desks that are made to fit the
work of each individual.

AND

Frbe

41 C h e s t n u t St .

Sto n e 2431

R O C H E S T E R , N .Y .

A N A L Y T IC SY M PH O N Y S E R IE S
Edited by P ercy G oetschius, M us. Doc.

1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.

H aydn
M ozart
B eethoven
Schubert
Schumann
B rahms
T chaikovsky
M endelssohn
D vorak
F ranck
M ozart

A FEW OF THE
No. 6. in G major (Surprise)
No. 48. in G minor
No. 5, in C minor
No. 7, in B minor ( Unfinished)
No. 1, in Bb major
No. 2, in D major
No. 6, in B minor (Pathetic)
No. 3, in A minor (Scotch)
No. 5, in E minor (New World)
Symphony, in D minor
No. 49, in C major (Jupiter)

FORTY VOLUMES PUBLISHED
No. 3, in Eb major {Eroica)
$0.75
12. B eethoven
13. M endelssohn No. 4, in A major {Italian)
.75
No. 5, in Bb major
14. Schubert
1.00
No. 10, in C major
.75
15. Schubert
16. T chaikovsky No. 4, in F minor
.75
No. 2, in C major
17. Schumann
1.00
No. 47, in Eb major
18. M ozart
1.25
No. 11, in G major {Military)
19. H aydn
1.00
No. 1, in C minor
20. Brahms
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21. B eethoven
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.75

$1.00
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1.25
1.25
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.75
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1.00
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M A N U A L O F H A R M O N IC T E C H N IC

Based on the Practice of J. S. Bach

By D onald T weedy, A. M., Instructor of the Theory of Music, Eastman School of Music

Cloth, $3.00
A Harmony-book without rules or abstract discussion of theory, in which the student is taught
to observe possible ways of chord connection, to criticize the models before him, and to perceive
analytically the essentials of smooth four-voice writing. The models are all from the masterly
four-voiced chorale-settings of J. S. Bach, which form a school of part-writing unsurpassed.
P R O J E C T L E S S O N S IN

O R C H E S T R A T IO N

By P rof. A rthur E. H eacox, Author of Harmony for Ear, Eye and Keyboard

Music Students Library
Cloth, $1.50
A practical book on orchestration for class use. The lessons are short, and the basic idea of
the book is to provide a series of interesting lesson-problems.
As the book is the outcome of years of classroom teaching its contents from cover to cover are
made up of tested material and tested procedure. Hence its thoroughly practical nature.
O liver D itson C o m pa n y , 179 T rem ont S t ., B oston , M ass .
C h a s . H . D itson fcr C o ., 10 E ast 34 t h S t ., N ew Y ork , N .Y .

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References